The best albums of 2021

It's that time of year again, where we say goodbye to one and hello to another. Although 2021 hasn't exactly been the year that it was expected to be, one shining factor that has stayed consistent is music. Music this year has been one for the books, competitive, energetic but mainly just fun and reliable.

There's a bit of something for everyone, but what albums are the top picks of the year?

Holding Absence - The Greatest Mistake of my Life

A true obliteration of expectations after their 2019 releases Afterlife and Die Alone (In Your Lovers Arms). Holding Absence released an LP that radiates so much energy, confidence, and emotions, that you almost forget any other album was released this year. This album has everything you could want from an album and more.

 

Ice Nine Kills - The Silver Scream 2: Welcome To Horrorwood

In their ever-so magnetic style, INK released an LP that is darker, more wistful, and bolder than ever before. Think about all the monsters in the night, wrap them up, and put them in a box. That is The Silver Scream 2: Welcome To Horrorwood.

 

Mod Sun - Internet Killed The Rockstar

There is so much nostalgia, heart, and soul to be explored in this album. Mod Sun shines his talents in an LP worthy of where he is currently in his career. The heart and soul in this album pick up the emotions and the energy from 98 to 100 instantaneously. A very loving piece of work.

 

Black Veil Brides - The Phantom Tomorrow

A conceptual world that feels ever-so real. BVB have showcased their sound and overall aesthetic poise with their storytelling and dystopian world. The cinematic feel of the album makes this album one of their most desirable yet, showing just how accelerated they have become in their songwriting. Classic sounds but same band, we welcome Black Bird…we welcome The Phantom Tomorrow.

Pretty Reckless - Death By Rock and Roll

Brooding and dark - the elements that fans of Pretty Reckless are so fond of. Taylor Momsen’s vocals are the driving force of this album which showcases some more stripped-back rock songs, and other heavier, more energetic tracks. An overwhelming and healing LP for the band, this intense album shines more rock and roll than ever before.

 

Bullet For My Valentine - Bullet For My Valentine

It was about time BfMV made a self-titled album and it far from disappoints. Hitting straight back into their routed sound with tracks like Knives and Parasite, those raspy screams of Matt Tuck will ring in your ears for minutes. Heavy, suspensful and darkly intense. If you loved BfMV's other albums, then this should be in your arsenal too. Offereing a lot of their original sounds from their first two albums, BfMV hone in on particular elements and make them the driving forces of the tracks.

Waterparks - Greatest Hits

2021 was a year of attitude and no f’s given from Waterparks. Although the name might suggest otherwise, the fourth studio album sees more diverse sounds from the trio with a stronger attitude, limitless creativity, and so much energy. If the other three albums weren’t enough for you, then this 17 track LP will hit the spot.

 

Architects - For Those That Wish to Exist

Brutal, chaotic, and broodingly dark. What more could one ask from an album like this. Exploring their surroundings and the world that currently surrounds them, Architects have taken what they are experiencing and put it straight down on paper. Inclusive and overly relatable, the band has created a strong eighth album, that has broadened their sound and given a fresh taste to an archaic sound.

 

Evanescence - The Hidden Truth

With empowering piano ballads, a love letter-esque vibe, and nostalgic sounds of Evanescence, Amy Lee and the band have created the light. An airy feeling in the darkest of days, this album is the driving force of it all. Anthems from start to finish wash over your ears, and offers a reminder that even in the darkest of times, there is some light out there. Very true to Evanescence style.

 

Don Broco - Amazing Things

True to style and sound, Don Broco explored some fresh and almost unpredictable elements. Just as witty as they portray themselves, Broco has created a strong and diverse set of tracks that in themselves, exhibit finesse and energy.

 

The Maine - XOXO: From Love & Anxiety in Real Time

Summer in an album. Overwhelmingly energetic, emotional, and welcoming. With everything that was happening throughout the year, this album was the sidekick that no one knew they needed. More experimental in the pop elements of their music, The Maine created an LP that speaks volumes to the world, feeling nostalgic in some areas and much like Evanescence, reminds you that even in the darkest times, there is light.

 

 

Top EPs of 2021:

Against The Current - Fever

Although short, Against The Current did it again. A short play that brings so much energy, heavy rock elements and staple sounds to one place. Just when you think that the roof couldn’t be raised any higher, ATC proof us wrong. Fever is just the beginning, of the return to the band's nostalgic sound.

 

Bronnie - Love Letters & Hate Mail

Pop-punk anthemic vibes, dark yet fun and relatable. Bronnie is known for creating overly catchy music. This EP over her other short plays showcases the growth in her songwriting and is almost a love letter in itself to her fans. If you are a Bronnie fan then this is an unmissable EP.

 

Meet Me @ The Altar - Modern Citizen

Exploring some nostalgic pop-punk sounds, MMATA has created from start to finish a track for different pop-punk stages. Never Gonna Change feels like a track you would expect from more modern pop-punk sounds, like those of Machine Gun Kelly, whereas other tracks are strongly reminiscent of those relating to Paramore, A Day To Remember, and more.

 

Hot Milk - I Just Wanna Know What Happens When I’m Dead

Heavy pop-punk is not what you would expect to hear from Manchester-based, Hot Milk. This EP is their heaviest release to date, which offers versatile electronic beats, pop-esque hooks, and overwhelming energy that is stereotypical to the band's sound. It's no secret that they are rising to pop-punk fame fast, but once you hear this EP, it will become clear why. With no signs of slowing down, this short play has much to offer.

 

Romantic Disaster - Lil Lotus ft. Chrissy Costanza

Against The Current’s lead singer Chrissy Costanza and rapper Lil Lotus recently released their first-ever collaboration together this past May, ‘Romantic Disaster’. 

 

The single is a featured song on Lotus’ upcoming album Error Boy, set to release August 30, being produced by several names amongst them being John Feldmann. Lotus’ original plans for the track were a single vocal to match the other parts of his album, but after testing out many vocal runs both Feldmann and Lotus knew something was missing. Costanza and Lotus previously connected through a mutual friend, and was partly the reason for her introduction to the track. After recording Romantic Disaster in the studio, the pair dove straight into the music video recording with little break between, ensuring that they made it just as wild and inviting as the tune itself.

 

Romantic Disaster is the typical ‘what it says on the tin’ style song. The title encapsulates the theme in its truest form. A romantic disaster of a relationship, which Lotus later commented saying that his upcoming LP, follows a pattern of bad relationships. However, he worships this single as being the more positive twist on a relationship that shouldn’t work but in some ways it does. With a kickstart instrumental intro and an abrupt-like vocal outro, the track leaves lyrical imagination throughout. Not only do Costanza’s and Lotus’ vocals partner well together, but the way that Chrissy brings her personality and charismatic nature to the fun-loving and lighthearted song drives this tune into a fresh direction for the duo. 

 

There is no harsh or overpowering instrumentation despite the overwhelming lead of guitar throughout. The vocals as a whole are light, affectionate with a twinkle of that raw vocal peeping through ever so slightly, welcoming a very relatable aesthetic. It is upbeat, wholehearted and just the right amount of passion to pass off as a feel-good song for any mood. 

 

A similar thing could be said about the accompanying video, which captures the tale of a robber couple, fleeing with what appears to be millions of dollars in their hands to a nearby motel. Unfolding within the song is the imperfect, perfect relationship. There is a lot wrong with the relationship that suggests that the two shouldn’t work but the good moments in a variety of ways leave interpretation for otherwise. Their imperfect is a different kind of perfect.

 

Stream/Listen/Watch to Romantic Disaster here:

 Romantic Disaster (Official Music Video) ft. Chrissy Costanza

 

Also available on all major streaming platforms!

Other notable information;

Against The Current - Fever - July 23, 2021

Lil Lotus - Error Boy - August 30, 2021

That Won't Save Us - Against The Current

 A new era of Against the Current (ATC) is here.

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On Wednesday 28th October 2020, ATC released their first new piece of material since their 2018 album, ‘Past Lives’. Produced by Matt Squire, this fresh release is an energetic, guitar-driven track entitled ‘That Won’t Save Us’, which arrived simultaneously with a moody, dark and characteristically fiery music video. 

It’s no secret that the gem of ATC’s sound is the ever-so present roaring guitar riffs of Dan Gow, which felt somewhat lacking in their previous album, whilst they delved down the route of a different sound; so unsurprisingly this album has brought them right back as a foreground for the song. Whilst being heavily guitar led, the drums certainly don’t go a-miss, they are prevalent throughout the track and add the perfect amount of rock that ATC are renowned for. With a lot of the sound, feeling very much of their ‘In Our Bones’ era. The guitar may be the shining star of the show, but the powerful vocals of Chrissy’s voice, easily pin this single as staple Against The Current sound. The explosive instrumental and the beautifully interlinked vitality of the vocals, along with some of the tempo changes in the bridge and final chorus really foreshadows Costanza’s mindset behind the writing of the song. It is clear from certain elements of the song that she was frustrated and angry with whatever was going on in her personal life and her professional life, enough for her to write a killer rock track like this one. 

The bridge is the biggest tempo change out of the two changes the song possesses, all of a sudden the liviness is somewhat held back and switched for a more mellow, balladesque feel and feels generally quieter than the rest of the track, because the guitar is no longer as vibrant as it was which pulls forward the angelic voice of Costanza but a few brief seconds, switching back to the all-so-powerful, heavily guitar-led pace. The final tempo change in this song is in the final chorus, where concomitantly it speeds up, which gives a sense of the tune coming to an end and the problem being resolved. It also adds to the lively, feel-happy beat.

If this release is anything to go by, ATC3 is going to be one hell of a rock album.

TWSU Music Video - YouTube

 

"When will the voices in my head, just stop and let me rest" - Against the Current 'Voices' Music Video

It is not all smoke and mirrors. Just primarily mirrors!

Against the Current’s music video for ‘Voices’ released 28th September 2018, hitting over 1 million views. It is based in 1 main location, a mansion or so it seems to the audience as throughout the video roughly 9 sub locations (I.e. rooms) are used. Using a vast range of natural light, the video has used mirrors to depict the lyrics of the song, “If I look in the mirror will I see through their eyes?”

The ‘Voices’ music video is set in a modern style house, almost Victorian style although that is not certain as the audience are never shown the exterior. It can be assumed that it is this style as the windows are rather large and allow a lot of natural light in. This adds to the music video as it gives it a naturally lit vibe, instead of a synthetic lit vibe.

In the first 15 seconds of the video, Will Ferri and Dan Gow both stood either side of Chrissy Costanza, the camera focusing in on their legs only; they were jumping in and out of shot to the beat of the music to imply “the voices in my head”. This effect happens rather similarly throughout the video with the typography (text on screen) and with cartoon style drawings of circles and lines. Each circle and line as well as outlines was done using key framing so that it stayed in perfect sync with the pace of the music and each movement made.

Within this entire music video, there are a range of different shots like close ups and mid shots mixed with the odd long shot and wide shot because for the audience member, it is portraying a personal feel, making the audience member feel close to the members. Additionally this is also a way of interpretating the lyrics as the voices are up close and personal. Something that this video does throughout which is effective to the fact this song is a lot more rockesque, is cutting to the beat. Each of the shots cut to the beat which makes it more enjoyable for the audience, to watch as it feels seamless and syncronised with the music; enhancing the viewers attention as the shots keep the audience members intrigued. Moreover, Costanza’s spontaneous dancing sections to the beats of the music, fit nicely into the video as it gives a fun feel and a generally entertaining vibe to the song itself, because if Costanza can dance to the song then so can the fans. Additionally the dancing adds to the views enhancement of concentration because, it keeps it interesting to be watching and it doesn’t get boring to watch.

Finally near the end of the video, there are at least two shots that have the lens glare effect from the light, which gives the audience a personal feel as the member can feel as though they are there. It also gives off the illusion of bundles of light coming through the windows, beside the camera. It adds a natural filter to the shot without it being edited in.

Rockesque. Stylish. Entertaining. Fun. Those are just a few words that can be used to describe this music video, Costanza has admitted to fans that this music video is her favourite video of the 3 that have been released so far.

“Your fears coming true and now you ask” what is next from Against the Current? 

A new era, and one hell of a new adventure with Past Lives!

'Past Lives' - Against the Current

Friday 28th September, the New York - trio, Against the Current (ATC) welcomes their 2nd full album 'Past Lives'. Taking the world by storm, Against the Current hit the alternative charts within mere hours of the release. Overall Past Lives was #12 on the overall itunes charts, rocking up at #3 in the alternative rock charts. 'Past Lives' is an 11 track album, with a range of fast upbeat songs, and slower balladesque songs.

Many fans heard the album a couple of hours previous to the official release, due to Billboards live listen to. The band took to twitter, sharing the link whilst additionally sharing an article that had been written about the album. Chrissy Costanza (Lead Vocals/Front-woman) also did a Q&A with billboard about a few things relating to the new album. Costanza spoke about how the each song initially came about, personally for her, saying "it felt like I had cataloged all of these different moments in my head over the years and was waiting to revisit them. Opening them up was like being transported back into that moment. It was so vivid it was terrifying."  The 23 year old singer, then went on to explain the influence behind moving away from the comfort of their pop punk phase, to test out a more electronic and pop vibed tendency, the singer explained "We’re all big fans of pop music; this is definitely the direction we’ve always wanted to head in. On this record, we were finally fearless and shed our skin. We wanted to create music that reflected our personalities now and also who we wanted to be." 

Something that is interesting about this album, compared to anything that ATC have done before, is that they tested themselves in ways they haven't before, for example by using falsetto in a song or two, to really enhance the notes and to give it a slightly different feel, to the music they are use to producing. This album has something for every fan. If you're wanting a faster paced song, something that will for sure get you dancing and singing along this album has some groovy tunes, straight up your street. If you're looking for a classic ATC rock style song then 'Voices' is the one to head towards. Finally, but certainly not least if you are simply wanting a slower paced, balladesque song to listen to, maybe a slightly more emotional song or simply just a song that is raw and calming, this album has elements like this as well.

It is undeniable that this album is a success with the fans already, its presence in the last 24 hours has left fans uncontrollably listening to it over and over again. Am I one? Yes, yes I am. I cannot get enough of this album! I'm definitely enjoying the EDM style that they have gone for with this album, it is something very enjoyable to listen to and something that is not going to get "old" very fast because it's so relevant to the audience.

TITLED ALBUM TRACKS;

1. Strangers Again
2. The Fuss
3. I Like The Way
4. Personal
5. Voices
6. Scream
7. Almost Forgot
8. P.A.T.T.
9. Friendly Reminder
10. Come Alive
11. Sweet Surrender



Strangers Again, was one of the first songs that the fans heard from the new album. When it was released, fans went wild over it because it was a newer sound to listen to and was not what many people expected to hear for this album. Nevertheless "I don't wanna go through the motions" of not having this song played atleast once a day, because it is a song that resonates with a lot of the audience and broader audience as well as overall being a dance induced song. With its moderately paced, electronic feel behind it, fans are left wondering "how did I get here" because from day one, with this song fans, were begging for more. One thing to note about this song is, even though its verses are moderately paced, the chorus is a lot more fast paced and is a rather fun track to listen to. Its safe for fans to say "now i'm over that" stage of waiting for new music after the release of not just one but four songs on the album, fans couldn't wait for more. One last thing to say about this song is that the first 12 seconds of the song is all instrumental before Costanza starts singing, then the final 20 seconds or so of the song is purely instrumental as well which is something that a lot of, ATC's songs have.

The Fuss, was a newer song that fans had heard about from Costanza on twitter but were eager to hear. this electronicesque rock song is more than extremely catchy and you're left wondering "whats the fuss about", but the fuss is about how catchy this song actually is. This song is one of the first songs you hear on the album, so it sets the tone for the rest of the songs and although the song is rather repetitive, there is no way it doesn't make you dance in some way. It is not an annoyingly repetitive song, but you can hear it within the song. But sometimes that's what makes songs rather enjoyable, as you know most of the lyrics already. In no way, is the fact this song is repetitive, make it a song not to listen to. There is not a single song on this album that personally I wouldn't recommend to someone. Additionally to The Fuss, the 3rd titled track I Like The Way, is an instantly dancey song. It is the more popesque song on the album but "I like the way" that it sounds because it is a faster paced song and one that you can get into straight away from the first guitar string strum, to the last drum strike. Another thing to say about this song, is that it is a rhythmic song, so if you're into pop songs then this song is for you. It isn't overally pop, but it might be kidding myself if I didn't state that every pop song in some way, sound like another.

Next, we have Personal. Now this song had me from day one. When it was released this song, you could instantly tell from the first listen that it was going to be an emotional song. "Maybe I can let go" of all my emotions with this song because, there still isn't a single time that this song doesn't make me tear up. This song out of them all, is the emotional, raw, and powerful balladesque song. However I feel like this song is more emotional to fans, as Costanza told everyone who it was written to. This song was written in remembrance of her late best friend Julius Trombino. There is just something about this song that gets you hooked, "I took it personal" because it is such a moderately slow paced song that still has the typical ATC style to it, giving hints of songs from the previous album like 'Demons' and 'Roses'. Now, Voices. This song is the ATC traditional sounding rock song. It is a mix of electronic style and rock however this song is that one song that when you hear it live, if you're not dancing then what are you doing. Listening to this song, "my heads chained down" from the slight The 1975 feel but with having a "war again" in your head this song resonates with a lot of the audience of ATC as many of them can relate to having "voices in my head" so this song, is one that the broader audience can really get in to and have a personal attachment to. I just "can't take" how the overall rock vibe of the song, pins down a classic ATC sound.

Scream, is the head bopping, foot tapping song. Listening to this song is "torture" because it makes me "scream" at how different this song is, to what the trio have done before. It is catchy, there is no denying that but this song also has a sense of falsetto within it during the chorus, but also stands out from the rest of the songs because it is more of an abrupt start and abrupt end than other songs on the album. Almost Forgot. This song is one of two explicit songs on the album, it is extremely catchy and its moderate pace is what hooks in the audience. It is "breaking my heart" that this song speaks a lot of peoples emotions including the dynamic trios. "You're still effecting my mood" over how this song was one of the first songs to be released and it gave fans a massive insight to the sound, which is largely different with this album, but not in a bad way. The band went from a heavy pop-punk, alternative style album to a more electronic, pop.

When releasing Almost Forgot it was almost as if they were testing the waters for their other songs, as Almost Forgot was released first, then came Strangers Again, then Personal and then just over a week before the album was set to release, Voices was released so it was almost like we were, getting 4 different songs to get a feel for the new album.

P.A.T.T. is not obvious to most at first, but is an acronym. The song titles stands for Pretty All The Time and is a heavily led female narrative song. "If love is blind" then why do fans love this song so much. This song is probably the one song on the entire album that every female fan can resonate with, there will be some of the male audience that can resonate to it in some way as well however, the female narrative driven song, suggests the target audience was most likely to be the teen girls of the audience. "Girls" this song is a catchy, repetitive and extremely dance worthy song that you can't help but fall in love with and is a very upbeat song with a faster pace behind it. Friendly Reminder, is another head bopping song on the album but it also a very catchy chorused song, "hey, hey" did you know that this song has a slower paced verse, then a faster paced chorus its almost as if it builds throughout the verse until it gets to the chorus, and this is a "friendly reminder" that this album is a electronicesque pop album and this song is definitely the song that gives this away.

Come Alive, is a repetitive yet catchy song that is groovy and dancey. It additionally is the other song on the album that is explicit so it stands out from the rest of the songs, it has a moderately slow pace but "I want to come alive" when I hear this song because it makes you want to sway and nod your head to the beat of the drum. Now finally, Sweet Surrender. Sweet Surrender is like one of those songs that was written to say the words that can't be said or that can be said but not out loud. Its catchy and balladesque, and "called out my name" as if fans were meant to hear this song, and with it being the last song on the album it is like the ending but I "cry out for help" because like all the other songs I cannot get enough of this song, its like I "kept choosing the rain" because this song draws in the audience as it is so relatable to a lot of the audience and it keeps you in a "free fall".

Finally, the album cover. Now it is not a secret to the fans that the album cover is a mashup of Against the Current members eyes, it is metaphorical of the album title and the songs themselves. From left to right, we have Dan Gow, Chrissy Costanza and Will Ferri. Many fans will look at this in a different way, however looking at the title being "Past Lives" it can be insinuated that the album cover is eyes because we are getting an insight into past memories, memories that are remembered from a different time, a more difficult time, and this can definitely be proved through songs like Personal and Almost Forgot.

Worldwide headlining tour, headbanging, mosh-pits and some groovy tunes!

If you had asked me, early on September 23rd what were my thoughts of Against the Current...my response would have been that they were one of my all time favourite bands. If you had asked me my opinion of The Faim, my answer would have been, from the one song I know, they are decent. I knew who they were as they had followed my Instagram a few months back, but I couldn't exactly call myself a fan, as I've only heard one song or two songs of theirs. Now if you asked me the exact same question, my answer would stay the exact same for Against the Current, whereas for The Faim, my opinion could not have juxtaposed as much as it did. The Faim, are 4 extremely talented, and very energetic young men, who blew me and the rest of the new fans away. Sure some people would have left the concert not liking them, however I am certainly not one!

The Faim, a 4 piece Australian pop punk band rising through the ranks, signed to BMG records and working alongside Rock legend and producer John Feldmann. From writing a single called 'Saints Of The Sinners' with Pete Wentz (Fall Out Boy) to working with other legends of the rock genre, The Faim are now getting opportunities to do world tours with bands as big as 5 Seconds of Summer who are managed by John Feldmann and bands such as Against the Current.

Josh Raven (Lead Vocals), Michael Bono (Lead guitar and vocals), Stephen Beerkens (Bass and Keyboard) and Sean Tighe (Drums), became a band in 2014, during high school building their musician profile by playing a few shows. In 2017, the 4 piece reached out to Feldmann with a demo of theirs, the L.A based producer and songwriter (Worked with Blink 182, The Used, All Time Low, 5 Seconds of Summer and many more bands).  Shortly after working with Feldmann, the band got signed to BMG, one of the major record labels.

The Faim

8pm rolls by, and The Faim brace the fans in the o2 Ritz, Manchester with their energetic presence. Playing songs that fans had both heard and hadn't heard. For new fans, all the songs weren't heard before, but if you thought for one minute that there was a single crowd member who wasn't headbanging, dancing or throwing up their 'rock horns' in the air you are sourly mistaken. Prior to the band hitting the stage, their were some songs to set the tone and mood for the audience, classics from The Killers, AC/DC, The 1975, Whitney Houston and many others, with everybody singing and dancing along to every tune that was played, by 8pm, the audience was more than ready to give their full undivided attention to the bands, and that is exactly what people did. Half way through the second song that The Faim played, there were some extremely energetic and rowdy fans who had decided to make a mosh pit, as fun as mosh-pits appear to be, the surrounding fans weren't too pleased about the shenanigans going on with this group of teenagers, however my arguement to this is, as annoying as people walking backwards into you to avoid the mosh-pit is, everyone expresses themselves in different ways especially at concerts, and in defence of the 8 teens that wanted to do a mosh-pit they only did this during the entire set twice. Through the entire Against the Current set, they stood, they danced, and they sang their hearts out and they enjoyed themselves.

Thoughts on The Faim, well the one thing I can say for sure is that, there wasn't a single time during their set that I wasn't dancing or headbanging to the beat of their drums. They are 4 very talented people, who after the concert finished I had the pleasure to meet. Although because of security and curfews I was only able to get a picture with Sean Tighe, the night couldn't have been more special and enjoyable. The Faim, did an amazing job, of supporting Against the Current, and I cannot wait to see what the future holds for these boys.

Against the Current

Against the Current, a 3 piece American pop rock band from New York, headlining yet another successful tour for their new album 'Past Lives' which drops on September 28th. Chrissy Costanza (Lead Vocals), Daniel Gow (Lead Guitarist) and Will Ferri (Drums) all put their entire energy and soul into the nights performance. Performing all 4 of their newly released songs from the new album as well as one that the audience had never heard before. My favourite one from the new album so far, to hear live so far, has to be 'Voices' I would be lying if I said that when 'Personal' was played, there wasn't a single dry face in the audience, the emotion that Costanza poured into the song was phenomenal and something that no amount of words or pictures can express. It was a truly magical evening, listening to hits from their EP's to listening to songs off their previous album 'In our bones'. During their set, and in between songs Costanza took a moment to thank the audience members like myself who went to their last Manchester date in late 2016, when lead singer Chrissy Costanza was deeply ill and unable to sing. The band had cancelled the Birmingham show the night before as she was too unwell to perform, so dragging herself on stage was hard, but the way the audience sang every lyric with her to help her fight through the night, she had nothing but overwhelming thanks to the audience members. Manchester never fails to give Against the Current all the energy that they can muster. Additionally during one of the talking stages of the set Costanza told the audience that "In Our Bones is when it started feeling real for us". Costanza then went on to introduce the titled track of the album 'In Our Bones' to perform to the audience shortly following a short speech about the new album, which is set to release this upcoming Friday.

Chrissy Costanza (Lead Vocals)

Shortly after the sets finished, a few fans waited outside the venue for the band to come out, 2 hours and 15 minutes later, we were graced with the bands presence. Gow came out first thanking fans for coming out then getting into the white double deckered tour bus parked in-front of the venue. Next came Ferri, who started speaking to fans whilst putting away his suitcase in the bus, stood mingling with fans for 45 minutes, taking pictures and giving hugs to any fan that waited to see them, he shortly after went to join Gow and the rest of the tour crew and manager in the bus. Shortly followed by Costanza. Costanza, came prepared for the small amount of fans that waited for the band to come out, she had a sharpy pen at the ready. Ready to give out signatures on tickets and on the free posters that the box office were giving away for free. The UK leg of the 'Past Lives' tour is nearly over, with only 2 more dates left before the final date in London, where the band plan on celebrating the album release, its nearly time to say goodbye to another highly successful UK world tour until 2019.